Salil Chowdhury (19 November 1925 – 5 September 1995) was an Indian music director, songwriter, lyricist, writer and poet who predominantly composed for Bengali, Hindi cinema and Malayalam films films. He composed music for films in 13 languages. This includes over 75 Hindi films, 41 Bengali films, 27 Malayalam films, and a few Marathi language, Tamil language, Telugu language, Kannada, Gujarati, Odia language and Assamese films. His musical ability was widely recognised and acknowledged in the Indian film industry. He was an accomplished composer and arranger who was proficient in several musical instruments, including flute, the piano, and the esraj. He was also widely acclaimed and admired for his inspirational and original poetry in Bengali language.
The first Bengali film for which Chowdhury composed music was Paribortan, released in 1949. Mahabharati, released in 1994, was the last of the 41 Bengali films where he rendered his music. He is affectionately called Salilda by his admirers. He mentored famous music directors like R. D. Burman and Hridaynath Mangeshkar.
As a teenager in school, Chowdhury already had an interest in music, and played the flute, harmonium and esraj. He learnt to play the piano from his elder brother at the age of 6. Once in college, he also began to compose tunes. His first popular song was " Becharpoti tomar bichaar" (lit. the days of new judgement have come because people are now awake), set to a kirtan tune. Chowdhury composed it in 1945 during the Indian National Army trials when the freedom fighters had returned from Andaman jail. Chowdhury shifted to a village in 24 Parganas to live with his maternal uncles, when he was witness to a big peasant uprising there in 1943. He got involved with them and began writing songs for the peasant movement. In 1944, while studying for his MA, Chowdhury witnessed people dying on the streets of Calcutta, as 50 lakh Bengalis died during the famine. The famine was human-made as local rice was instead directed to Britain's war effort overseas, leading to scarcity, aggravated by black marketeers and hoarders. This led Chowdhury to become fully involved in the peasant movement, and he became a full-time member of IPTA and the Communist Party. Subsequently, arrest warrants were issued in his name, and he went underground in the Sunderbans, hiding in paddy fields and supported by local peasants. During this time, he continued writing plays and songs.
In 1944, a young Salil came to Calcutta for his graduate studies. He joined the IPTA (Indian Peoples Theater Association) the cultural wing of the Communist Party of India. He started writing songs and setting tunes for them. The IPTA theatrical outfit travelled through the villages and the cities bringing these songs to the common man. Songs like Bicharpati, Runner and Abak prithibi became extremely popular with the general population at the time.
Songs like Gnaayer bodhu (গাঁয়ের বধূ), which he composed at the age of 20, brought about a new wave of Bengali music. Almost every notable singer at the time from West Bengal had sung at least one of his songs. A few examples are Debabrata Biswas, Manna Dey, Hemanta Mukherjee, Shyamal Mitra, Sandhya Mukherjee, Manabendra Mukherjee, Subir Sen and Pratima Banerjee.
In an interview with All India Radio, Salil Chowdhury described his coming to Bombay in 1953 as a "stroke of luck". He was writing the script for a Bengali film about a peasant who was disowned of his land and had gone to Calcutta to earn money as a Rickshaw puller. Hrishikesh Mukherjee, who heard of it from Chowdhury during a visit to Calcutta, liked it immensely and suggested that he narrate it to the director Bimal Roy. Roy heard it, and asked him to meet him again the next morning. However, when Chowdhury went to meet him the next day, he learnt that Roy had rushed to Bombay on an urgent call. A week later, he received a telegram from Roy that he wanted to turn his script into a movie. This resulted in Chowdhury's debut in the Bollywood in 1953 as the music director for Do Bigha Zamin (1953). The movie was based on Tagore's poem by the same name, but the story was different and was written by Salil Chowdhury himself. Directed by Bimal Roy, this film took his career to new heights when it became the first film to win the Filmfare Best Movie Award and won the international Prize at the Cannes Film Festival.
After working for about 20 years in Bengali and Hindi films, he entered the Malayalam film industry and, in 1964, composed music for the movie Chemmeen. He went on to compose music for films in 13 languages. This includes over 75 Hindi films, 41 Bengali films, around 27 Malayalam films, and a few Marathi language, Tamil language, Telugu language, Kannada, Gujarati, Odia language and Assamese films. Asked about his method, Chowdhury described it thus – He would usually ask the film maker to explain the situation to him, then Chowdhury would compose a tune to suit the mood, and the lyric writer would set in words. This remained his practice for most of his films including Madhumati, in which Shailendra wrote the lyrics subsequently.
During the 1971 Bangladesh Liberation War, Chowdhury contributed to the programmes of the Swadhin Bangla Betar Kendra based in Kolkata. His 1971 album Bangla Amar Bangla was meant for the liberation struggle. Later, when Chowdhury visited Bangladesh in 1990, he was given the welcome of a mass leader in Dhaka. Chowdhury was Posthumous award the Muktijoddha Maitreye Samman in 2012.
Poet, Playwright, Short story writer, Salil also directed a film Pinjre Ke Panchhi starring Meena Kumari, Balraj Sahani and Mehmood based on his own story and screenplay in 1966. Salil Chowdhury was the Founder of Bombay Youth Choir, the first ever Secular Choir in India in 1958 as its composer and conductor - he inspired scores of secular choir groups to be formed throughout India formulating a new genre of music using vocal polyphony for Indian Folk and Contemporary Music.
+ Salil Chowdhury Filmography |
Satyen Bose |
Satyen Bose |
Bimal Roy |
Bimal Roy |
Sombhu Mitra and Amit Moitra |
Satyen Bose |
Mrinal Sen |
Dulal Guha |
Hrishikesh Mukherjee |
Bimal Roy |
Rajen Tarafdar |
B. R. Chopra |
Moni Bhattacharjee |
Hrishikesh Mukherjee |
CHATURANGA – Phani Talukdar, Munin Bayan, Atul Bardaloi & Gauri Barman |
Hrishikesh Mukherjee |
Bharat Shamsher |
Alamgir Kabir |
Mrinal Sen |
Phani Talukdar |
G. V. Iyer |
1949 | Poribartan |
1951 | Barjaatri |
1952 | Paasher Baadi |
1953 | Baansher Kella |
1953 | Bhor Hoye Elo |
1954 | Aaj Sondhaay |
1954 | Mohila Mahal |
1955 | Rickshawaala |
1956 | Raat Bhore |
1956 | Ak din Raatre |
1959 | Baadi Thekey Paaliye |
1960 | Gangaa |
1961 | Rai Bahadur |
1964 | Kinu Goaalaar Goli |
1964 | Ayanaanto |
1964 | Laal Paathor |
1966 | Paari |
1972 | Marjina Aabdullah |
1972 | Raktaakto Banglaa (made in Bangladesh) |
1977 | Kobita |
1977 | Sister |
1979 | Jibon Je Rakam;Rupaali Soikate (made in Bangladesh) |
1979 | Srikaanter Will |
1980 | Byapika Bidaay |
1980 | Parabesh |
1980 | Akaler Sandhaney |
1980 | Antarghaat |
1982 | Artap |
1985 | Protiggya |
1985 | Debikaa |
1985 | Mowchor |
1986 | Jibon |
1989 | Swarnatrishaa |
1990/91 | Aashrita **(background: Salil) (MD:Hridaynath Mangeskar) |
1991 | Haaraaner Naatjamaai |
1994 | Mahabharoti |
1994 | Sei Somoy |
1961 | Komol Gandhaar |
1981 | Aswamedher Ghoraa |
1965 | Chemmeen |
1968 | Ezhu Rathrikal |
1970 | Abhayam |
1973 | Swapnam |
1974 | Nellu |
1975 | Neela Ponman |
1975 | Raagam |
1975 | Raasaleela |
1975 | Thomasleeha / St. Thomas) |
1976 | Aparadhi |
1976 | Thulavarsham |
1977 | Dweepu ( background music only) |
1977 | Vishukkani |
1978 | Samayamayilla polum |
1978 | Etho Oru Swapnam |
1978 | Madanolsavam |
1978 | Devdasi (Unreleased) |
1978 | Ee Ganam Marakkumo |
1978 | Chuvanna Chirakukal |
1979 | Pratheeksha |
1979 | Puthiya Velicham |
1980 | Air Hostess |
1982 | Anthiveyilile Ponnu |
1985 | Vellam ( background music only) |
1991 | Vasthuhara ( background music only) |
1992 | Thamburan (Unreleased) |
1995 | Thumboli Kadappuram |
Tamil | 1971 | Uyir (Salilda composed background music only - MD was Ramana Sridhar) | |
Tamil | 1973 | Karumbu | |
Tamil | 1978 | Paruvamazhai | |
Tamil | 1979 | Azhiyatha Kolangal | |
Tamil | 1980 | Thooraththu Idimuzhakkam | |
Telugu | 1974 | Chairman Chalamayya | |
Telugu | 1978 | Amara Prema | |
Kannada | 1971 | Samsayaphala | |
Kannada | 1975 | Onde Rupa Eradu Guna | |
Kannada | 1977 | Chinna Ninna Muddaduve; Kokila | |
Gujarati | 1978 | Ghar Sansaar | |
Assamese | 1970 | Aparajeyo | |
Assamese | 1985
1989 | Manas Kanya
Bangshadhar (Bankground Score) | |
Odia1981 | Batasi Jhada | ||
Marathi | 1962 | Sunbai |
+ Salil Chowdhury Discography |
Bengali: Ei haashi ei gaan (1995) by Usha Utthup |
Hindi: Chale thumak thumak - Hindi (1957) Lata Mangeskar (Ek Gaaon Ki Kahaani) |
Hindi: Teri yaad na dil se jaa saki (1965) by Lata in Chaand Aur Sooraj |
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Kannada: Kuniyutha jhanana jhana (1971) P. Susheela (Samasayaphala ) |
Hindi: Kayse manaao (1961) by Mukesh] Begali: Chanchal sonali pakhnay (1982) by Arundhati |
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Bengali: Amaar kichhu moner aasha (1953) by Utpala Sen |
Hindi: Kayse maano piyawa (1961) by Mukesh |
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Bengali: Na jani re (1954) Gayatri Basu |
Tune influenced by a Hungarian folk song |
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Hindi: Aankhon mein tum dil mein tum ho (1962)by Gita, Kishore (Half Ticket) |
Bengali: Uthaali paathaali amaar buuk (1960) Manna Dey in Ganga |
Salil Chowdhury |
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Bengali: Uru taka taka taghina taghina (1944) |
Bengali: O kanai paar karo amare - by Nirmalendu Choudhury |
Bengali: Ei duniyay bhai sob i hoy (1956) Manna dey (Ek Din Raatre) |
Salil Chowdhury |
Inspired by Mozart's Symphony number 40 in G minor |
Hindi: Machalti Aarzoo from Usne Kaha Tha (1960) |
Salil Chowdhury |
Salil Chowdhury |
Hindi: baat koi matlab ki hai zaroor (1957) Asha (Aparadhi Kaun) |
Hindi, Bengali ( O phuler dal sung by Usha Mangeskar), Malayalam, Tamil, Telugu |
Salil Chowdhury |
Salil Chowdhury |
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Hindi: Aanshu samajhke kyun mujhe (1961) Talat Mahmood |
Bengali: Jibone jaa kichhu chhilo (1967) Sandhya Mukherjee |
Salil Chowdhury |
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Salil Chowdhury |
Bengali: O aamaar joto saadh (1979) Arati Mukherjee (Srikaanter Will) Gun gun phaagun shesh holey (1967) Madhuri Chattopadhyay |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Hindi: Shaam se (1968) Mukesh (Mitti ka Dev) Malayalam: Yaathrayay (1991) Unni Menon Bengali: Ei pather sesh kothaay (1983) Gautam Dasgupta |
Hindi: Man kare yaad wo din by Kishore Kumar in Aakhiri Badlaa (1989) Malayalam: Parannupoy nee by Jesudas in Chuvanna Chirakkukal (1979) |
Bengali: Pagol Hawa |
Hindi: Dil mera by Shamshad Begam in Biraj Bahu (1954) |
Salil Chowdhury |
Bengali: Aay re o pousaali bataasey |
Bengali: Prantorer gaan by Utpala Sen, (1953) |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Bengali: Gun gun phaagun shesh holey by Madhuri Chattopadhyay (1967) Hindi: Manzil teri khoj mein (1966) Lata (Pinjre Ki Panchhi) |
Salil Chowdhury |
Bengali: Dola o dola |
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Salil Chowdhury |
Hindi: Ek dapha ki baat hai (19??) Mahendra Kapoor (Raat Ki Uljhan) Lyrics Gulzar |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Hindi: Na jaane kiyun by Lata in ChhoTi si Baat (1975) |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Hindi: Neend pari lori gaaye (1961) Lata Mangeskar (Chaardeewaari) |
Hindi: Jhuk jhuk jhuk - (1961) by Lata Mangeskar; Bengali: Monobinaay akhoni boojhi by Sabita (1962) |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Bengali: Jhir jhir jhir jhiir jhiri barosa by Dhananjoy Bhattyacharya in the movie Pasher Bari (1952) Malayalam: Jil jil jil by Jayachandran, P.Susheela in the movie- Puthiya Velicham (1979) |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Salil Chowdhury |
Hindi: Aankhon mein masti sharaab ki - (1961) Talat Mahmood (Chhaya) |
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Hindi: Hariyaali sawaan dhol bajaata aaya in Do Bigha Zameen (1953) |
Salil Chowdhury |
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Filmfare Awards (1954) Winner – Best Film; Winner – Best Director – Bimal Roy;
1st National Film Awards (India) Winner – All India Certificate of Merit for Best Feature Film
7th Cannes Film Festival (1954) Winner – Prix International (International Prize) Nominated – Grand Prize (Best Film)
Karlovy Vary International Film Festival Winner – Prize for Social Progress
Recipient of president's gold medal in 1965.
The Uttar Pradesh Film Patrakar Sangh Puraskar in 1966 for his only Hindi directorial film 'Pinjre Ke Panchhi'
The Bengal Films Journalist Award, Kolkata in 1973
The Allauddin Smriti Puraskar in 1985 from the Govt of West Bengal
The Maharashtra Gaurav Puraskar Award in 1990
Posthumously he was awarded the Mukti Judhho Maitreyi Samman Award by the Govt Bangladesh in 2012.
Poet, Playwright, Short story writer, he also directed a film Pinjre Ke Panchhi starring Meena Kumari, Balraj Sahani and Mehmood b
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