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Salil Chowdhury (19 November 1925 – 5 September 1995) was an Indian , , , and who predominantly composed for Bengali, and films. He composed music for films in 13 languages. This includes over 75 Hindi films, 41 Bengali films, 27 Malayalam films, and a few , , , , Gujarati, and Assamese films. His musical ability was widely recognised and acknowledged in the Indian film industry. He was an accomplished composer and arranger who was proficient in several musical instruments, including , the , and the . He was also widely acclaimed and admired for his inspirational and original poetry in .

The first Bengali film for which Chowdhury composed music was Paribortan, released in 1949. Mahabharati, released in 1994, was the last of the 41 Bengali films where he rendered his music. He is affectionately called Salilda by his admirers. He mentored famous music directors like R. D. Burman and Hridaynath Mangeshkar.


Career

Early influences – childhood and teenage
Salil Chowdhury was born on 19 November 1925, in a village called Ghazipur in South 24 Parganas, . Salil's childhood was spent in the Tea Gardens Region of Assam. His father was reputed to stage plays with coolies and other low-paid workers of the tea-gardens. While his father, Dr Gyanendra Chowdhury, was the Medical Officer at Hathikuli Tea Estate near Kaziranga in Assam, between 1931 and 1951, the Chief Medical Officer was Dr Maloni, an Irish national. During his early years, he used to listen to western orchestral music on Dr Maloni's gramophone. To date, this information stands engraved in black granite in Hathikuli Tea Estate in his memory. During the second world war Chowdhury got the opportunity to closely observe human sufferings, hunger and problem of the refugees. He studied in Harinavi D.V.A.S High School and there after graduating from Bangabasi College, affiliated to the University of Calcutta in , and during this period his political ideas were formulated along with a considerable maturity in his musical ideas.

As a teenager in school, Chowdhury already had an interest in music, and played the , and . He learnt to play the from his elder brother at the age of 6. Once in college, he also began to compose tunes. His first popular song was " Becharpoti tomar bichaar" (lit. the days of new judgement have come because people are now awake), set to a kirtan tune. Chowdhury composed it in 1945 during the Indian National Army trials when the freedom fighters had returned from Andaman jail. Chowdhury shifted to a village in 24 Parganas to live with his maternal uncles, when he was witness to a big peasant uprising there in 1943. He got involved with them and began writing songs for the peasant movement. In 1944, while studying for his MA, Chowdhury witnessed people dying on the streets of Calcutta, as 50 lakh Bengalis died during the famine. The famine was human-made as local rice was instead directed to Britain's war effort overseas, leading to scarcity, aggravated by black marketeers and hoarders. This led Chowdhury to become fully involved in the peasant movement, and he became a full-time member of IPTA and the Communist Party. Subsequently, arrest warrants were issued in his name, and he went underground in the , hiding in paddy fields and supported by local peasants. During this time, he continued writing plays and songs.

In 1944, a young Salil came to Calcutta for his graduate studies. He joined the IPTA (Indian Peoples Theater Association) the cultural wing of the Communist Party of India. He started writing songs and setting tunes for them. The IPTA theatrical outfit travelled through the villages and the cities bringing these songs to the common man. Songs like Bicharpati, Runner and Abak prithibi became extremely popular with the general population at the time.

Songs like Gnaayer bodhu (গাঁয়ের বধূ), which he composed at the age of 20, brought about a new wave of Bengali music. Almost every notable singer at the time from West Bengal had sung at least one of his songs. A few examples are , , Hemanta Mukherjee, , Sandhya Mukherjee, Manabendra Mukherjee, and Pratima Banerjee.


Film career
The first Bengali film in which Salil Chowdhury composed music was Paribortan, released in 1949. Mahabharati, released in 1994, was the last of the 41 Bengali films where he rendered his music.

In an interview with All India Radio, Salil Chowdhury described his coming to Bombay in 1953 as a "stroke of luck". He was writing the script for a Bengali film about a peasant who was disowned of his land and had gone to Calcutta to earn money as a Rickshaw puller. Hrishikesh Mukherjee, who heard of it from Chowdhury during a visit to Calcutta, liked it immensely and suggested that he narrate it to the director . Roy heard it, and asked him to meet him again the next morning. However, when Chowdhury went to meet him the next day, he learnt that Roy had rushed to Bombay on an urgent call. A week later, he received a telegram from Roy that he wanted to turn his script into a movie. This resulted in Chowdhury's debut in the in 1953 as the music director for Do Bigha Zamin (1953). The movie was based on Tagore's poem by the same name, but the story was different and was written by Salil Chowdhury himself. Directed by , this film took his career to new heights when it became the first film to win the Filmfare Best Movie Award and won the international Prize at the Cannes Film Festival.

After working for about 20 years in Bengali and Hindi films, he entered the film industry and, in 1964, composed music for the movie . He went on to compose music for films in 13 languages. This includes over 75 films, 41 Bengali films, around 27 films, and a few , , , , Gujarati, and Assamese films. Asked about his method, Chowdhury described it thus – He would usually ask the film maker to explain the situation to him, then Chowdhury would compose a tune to suit the mood, and the lyric writer would set in words. This remained his practice for most of his films including Madhumati, in which Shailendra wrote the lyrics subsequently.

During the 1971 Bangladesh Liberation War, Chowdhury contributed to the programmes of the Swadhin Bangla Betar Kendra based in Kolkata. His 1971 album Bangla Amar Bangla was meant for the liberation struggle. Later, when Chowdhury visited in 1990, he was given the welcome of a mass leader in . Chowdhury was the Muktijoddha Maitreye Samman in 2012.

Poet, Playwright, Short story writer, Salil also directed a film Pinjre Ke Panchhi starring Meena Kumari, Balraj Sahani and Mehmood based on his own story and screenplay in 1966. Salil Chowdhury was the Founder of Bombay Youth Choir, the first ever Secular Choir in India in 1958 as its composer and conductor - he inspired scores of secular choir groups to be formed throughout India formulating a new genre of music using vocal polyphony for Indian Folk and Contemporary Music.


Personal life
Salil Chowdhury married the painter Jyoti Chowdhury in July 1952 in a temple. He had three daughters with her – Aloka, Tulika and Lipika. Later, he had a court marriage with singer , with whom he had two sons, Sukanta and Sanjoy, and two daughters, Antara and Sanchari. is a successful music composer and has scored music for over 100 feature films. Sabita Chowdhury was a legendary singer and their daughter too a known singer. Smt. Sabita Chowdhury died on 29 June 2017.


Legacy
  • Salil's music was a blending of Eastern and the Western music traditions. He had once said: "I want to create a style which shall transcend borders – a genre which is emphatic and polished, but never predictable". He dabbled in a lot of things and it was his ambition to achieve greatness in everything he did. But at times, his confusion was fairly evident: "I do not know what to opt for: poetry, story writing, orchestration or composing for films. I just try to be creative with what fits the moment and my temperament", he once told a journalist.
  • Salil's love for Western classical music started when he was a young boy growing up in an Assam tea garden where his father worked as a doctor. His father inherited a large number of western classical records and a gramophone from a departing Irish doctor. While Salil listened to , , , and others everyday, his daily life was surrounded by the sound of the forest, chirping of the birds, sound of the flute and the local folk-music of Assam. This left a lasting impression in young Salil. He became a self-taught flute player and his favourite composer was Mozart. His compositions often used folk melodies or melodies based on Indian classical but the orchestration was very much western in its construction. According to his daughter Antara, (Ref.: Ek Fankar @ Vividbharati Radio Programme at 10.00 pm on 19 November 2013), Salil himself once joked that he was Mozart, reborn.
  • Salil being a composing exponent, he even sensed the talent of a guitarist who played in his orchestra and uttered that, "I think he's going to be the best composer in India". The guitarist eventually turned out to be maestro . A. R. Rahman's father, R. K. Shekhar used to conduct Salil Chowdhury's arrangements in South Indian film music. Rahman once said that his musical understanding was greatly influenced by the musical sessions conducted by Salil Chowdhury.
  • "The Salil Chowdhury Foundation of Music, Social Help & Education Trust" was created in 2002 by Sabita Chowdhury, wife, and Antara Chowdhury, daughter of the late composer, to carry forward the legacy and preserve the works of Salil Chowdhury. In 2015 the Salil Chowdhury Memorial Concert and Honours were established in memory of the Genius to honour some of the greatest Indian singers and musicians.


Filmography
+ Salil Chowdhury Filmography
Satyen Bose
Bimal Roy
and Amit Moitra
Satyen Bose
Hrishikesh Mukherjee
Bimal Roy
B. R. Chopra
Moni Bhattacharjee
Hrishikesh Mukherjee
CHATURANGA – Phani Talukdar, Munin Bayan, Atul Bardaloi & Gauri Barman
Hrishikesh Mukherjee
Bharat Shamsher
Alamgir Kabir
Mrinal Sen
Phani Talukdar
G. V. Iyer
Bengali
1949Poribartan
1951Barjaatri
1952Paasher Baadi
1953Baansher Kella
1953Bhor Hoye Elo
1954Aaj Sondhaay
1954Mohila Mahal
1955Rickshawaala
1956Raat Bhore
1956Ak din Raatre
1959Baadi Thekey Paaliye
1960Gangaa
1961Rai Bahadur
1964Kinu Goaalaar Goli
1964Ayanaanto
1964Laal Paathor
1966Paari
1972Marjina Aabdullah
1972Raktaakto Banglaa (made in Bangladesh)
1977Kobita
1977Sister
1979Jibon Je Rakam;Rupaali Soikate (made in Bangladesh)
1979Srikaanter Will
1980Byapika Bidaay
1980Parabesh
1980Akaler Sandhaney
1980Antarghaat
1982Artap
1985Protiggya
1985Debikaa
1985Mowchor
1986Jibon
1989Swarnatrishaa
1990/91Aashrita **(background: Salil) (MD:Hridaynath Mangeskar)
1991Haaraaner Naatjamaai
1994Mahabharoti
1994Sei Somoy
1961Komol Gandhaar
1981Aswamedher Ghoraa
Malayalam
1965
1968
1970Abhayam
1973
1974Nellu
1975
1975
1975
1975 / St. Thomas)
1976Aparadhi
1976
1977 ( background music only)
1977
1978Samayamayilla polum
1978Etho Oru Swapnam
1978
1978Devdasi (Unreleased)
1978Ee Ganam Marakkumo
1978Chuvanna Chirakukal
1979
1979
1980
1982Anthiveyilile Ponnu
1985 ( background music only)
1991 ( background music only)
1992Thamburan (Unreleased)
1995Thumboli Kadappuram
Others
Tamil1971Uyir (Salilda composed background music only - MD was Ramana Sridhar)
Tamil1973Karumbu
Tamil1978Paruvamazhai
Tamil1979Azhiyatha Kolangal
Tamil1980Thooraththu Idimuzhakkam
Telugu1974Chairman Chalamayya
Telugu1978Amara Prema
Kannada1971Samsayaphala
Kannada1975Onde Rupa Eradu Guna
Kannada1977Chinna Ninna Muddaduve; Kokila
Gujarati1978Ghar Sansaar
Assamese1970Aparajeyo
Assamese1985

1989

Manas Kanya

Bangshadhar

(Bankground Score)

Odia1981 Batasi Jhada
Marathi1962Sunbai


Discography
List of some songs for which music or lyrics were composed by Salil Chowdhury (in alphabetical order)
+ Salil Chowdhury Discography
Bengali: Ei haashi ei gaan (1995) by Usha Utthup
Hindi: Chale thumak thumak - Hindi (1957) Lata Mangeskar (Ek Gaaon Ki Kahaani)
Hindi: Teri yaad na dil se jaa saki (1965) by Lata in Chaand Aur Sooraj
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Kannada: Kuniyutha jhanana jhana (1971) P. Susheela (Samasayaphala )
Hindi: Kayse manaao (1961) by Mukesh]
Begali: Chanchal sonali pakhnay (1982) by Arundhati
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: Amaar kichhu moner aasha (1953) by Utpala Sen
Hindi: Kayse maano piyawa (1961) by Mukesh
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: Na jani re (1954) Gayatri Basu
Tune influenced by a Hungarian folk song
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Aankhon mein tum dil mein tum ho (1962)by Gita, Kishore (Half Ticket)
Bengali: Uthaali paathaali amaar buuk (1960) Manna Dey in Ganga
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: Uru taka taka taghina taghina (1944)
Bengali: O kanai paar karo amare - by Nirmalendu Choudhury
Bengali: Ei duniyay bhai sob i hoy (1956) Manna dey (Ek Din Raatre)
Salil Chowdhury
Inspired by Mozart's Symphony number 40 in G minor
Hindi: Machalti Aarzoo from Usne Kaha Tha (1960)
Salil Chowdhury
Salil Chowdhury
Hindi: baat koi matlab ki hai zaroor (1957) Asha (Aparadhi Kaun)
Hindi, Bengali ( O phuler dal sung by Usha Mangeskar), Malayalam, Tamil, Telugu
Salil Chowdhury
Salil Chowdhury
-
-
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Aanshu samajhke kyun mujhe (1961) Talat Mahmood
Bengali: Jibone jaa kichhu chhilo (1967) Sandhya Mukherjee
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: O aamaar joto saadh (1979) Arati Mukherjee (Srikaanter Will)
Gun gun phaagun shesh holey (1967) Madhuri Chattopadhyay
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Shaam se (1968) Mukesh (Mitti ka Dev)
Malayalam: Yaathrayay (1991) Unni Menon
Bengali: Ei pather sesh kothaay (1983) Gautam Dasgupta
Hindi: Man kare yaad wo din by Kishore Kumar in Aakhiri Badlaa (1989)
Malayalam: Parannupoy nee by Jesudas in Chuvanna Chirakkukal (1979)
Bengali: Pagol Hawa
Hindi: Dil mera by Shamshad Begam in Biraj Bahu (1954)
Salil Chowdhury
Bengali: Aay re o pousaali bataasey
Bengali: Prantorer gaan by Utpala Sen, (1953)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: Gun gun phaagun shesh holey by Madhuri Chattopadhyay (1967)
Hindi: Manzil teri khoj mein (1966) Lata (Pinjre Ki Panchhi)
Salil Chowdhury
Bengali: Dola o dola
-
Salil Chowdhury
Hindi: Ek dapha ki baat hai (19??) Mahendra Kapoor (Raat Ki Uljhan) Lyrics Gulzar
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Na jaane kiyun by Lata in ChhoTi si Baat (1975)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Neend pari lori gaaye (1961) Lata Mangeskar (Chaardeewaari)
Hindi: Jhuk jhuk jhuk - (1961) by Lata Mangeskar;
Bengali: Monobinaay akhoni boojhi by Sabita (1962)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Bengali: Jhir jhir jhir jhiir jhiri barosa by Dhananjoy Bhattyacharya in the movie Pasher Bari (1952)
Malayalam: Jil jil jil by Jayachandran, P.Susheela in the movie- Puthiya Velicham (1979)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Aankhon mein masti sharaab ki - (1961) Talat Mahmood (Chhaya)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
-
-
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Hindi: Hariyaali sawaan dhol bajaata aaya in Do Bigha Zameen (1953)
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
Salil Chowdhury
IPTA: Indian People's Theater Association


Awards and recognitions
1953 – Do Bigha Zamin
A Hindi film directed by Bimal Roy based on a story in Bengali "Rikshawalaa" written by Salil Chowdhury.

(1954) Winner – Best Film; Winner – Best Director – ;

1st National Film Awards (India) Winner – All India Certificate of Merit for Best Feature Film

7th Cannes Film Festival (1954) Winner – Prix International (International Prize) Nominated – Grand Prize (Best Film)

Karlovy Vary International Film Festival Winner – Prize for Social Progress

1965 –
A Malayalam film directed by Ramu Kariat, based on a novel of the same name written by the renowned writer Thakazhy Shivshankar Pillai, where Music Direction was done by Salil Chowdhury.

Recipient of president's gold medal in 1965.

1958 –
Received Filmfare Best Music Director Award along with eight other Filmfare awards Madhumati won the National Film Awards for Best Feature Film in Hindi

The Uttar Pradesh Film Patrakar Sangh Puraskar in 1966 for his only Hindi directorial film 'Pinjre Ke Panchhi'

The Bengal Films Journalist Award, Kolkata in 1973

The Allauddin Smriti Puraskar in 1985 from the Govt of West Bengal

1988 – Salil Chowdhury received Sangeet Natak Akademi Award

The Maharashtra Gaurav Puraskar Award in 1990

Posthumously he was awarded the Mukti Judhho Maitreyi Samman Award by the Govt Bangladesh in 2012.

Poet, Playwright, Short story writer, he also directed a film Pinjre Ke Panchhi starring Meena Kumari, Balraj Sahani and Mehmood b


Further reading


External links

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